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And an easy way to suggest that is to draw on really obvious stereotypes that suggest queerness. Melanie: If you go with the classic hero-versus-villain model, the hero will embody what's normal, and then the villain has to be the opposite. But queer-coded characters were also increasingly cast as villains. Many popular characters were still coded from the '60s to the '80s, despite a sexual revolution and the start of the gay-rights movement. Queer characters were no longer just a source of ridicule, but violently attacked, fueling a decades-long "bury your gays" trope that persists today. This was all happening with McCarthy's Lavender Scare in the backdrop, and it became visible on screen.
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The original 1952 code stated that "Sex crimes and abnormalities" were unacceptable topics and that shows should foster "commonly accepted moral, social and ethical ideals characteristic of American life." Both those things came into play with the Code of Practices for Television Broadcasters, a set of evolving guidelines that covered everything from decency and decorum to TV's responsibility towards children. A time known for conformity in the States and for the television cartoon boom.
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And as television grew in popularity, these stereotypes would play out again and again, sometimes in damaging ways. Queer coding may also have been a way around censorship, but it wasn't ideal and relied on harmful stereotypes. RuPaul, for one, has said that Bugs Bunny was his "first introduction to drag."Ĭartoon characters were also given the freedom to veer from traditional gender roles, so we could see characters like an effeminate bull who refused to fight or a tea-sipping dragon. Viewers, however, could have their own interpretation. According to creator Chuck Jones, this was all meant to make him "funny." In addition to kissing other male characters on the mouth, he also cross-dresses in many episodes. Let's take a look at Bugs Bunny again, who first appeared in 1940. Speech patterns, mannerisms, costumes, and more also became signals of queerness, or queer coding.
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Narrator: Live-action TV couldn't show two men kissing, but a character like Bugs Bunny could kiss hunter Elmer and pass it off as a joke. Melanie Kohnen: People actually found ways of inserting queerness into cartoons and stretched the boundaries of the Production Code, because animation in itself is a medium that already lends itself to surrealness or strange situations.
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This created an era of internal censorship out of fear of being hit with reprimands, fines, or having their broadcast license revoked.īut creators did get creative, especially when it came to animated films. That was the same year the US government established the Federal Communications Commission and the first set of commercial TV regulations. This is a scene from the 1933 animated Flip the Frog short "Soda Squirt." The flamboyant character turned Hyde-like monster pretty much sums up to the extent to which "queer" characters appeared on screen at the time.Ī year later, in 1934, the Motion Picture Association of America started enforcing the Hays Code, which banned in films, quote, "Sex perversion or any inference to it." Narrator: Let's take a look at how we got to this from this. Rebecca Sugar: You know, it was just a matter of not so much busting down these walls, but just very slowly chipping away at them for years and years and years and years. But it took a long time and a lot of work to get here, battling decades of harmful stereotypes and queer-coded villains.
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Narrator: These are just a few examples in a recent push to include more queer representation in children's animated shows and movies. And this is the first kids' animated character to directly identify themselves as gay. Narrator: You're looking at the first LGBTQ wedding in a kids' animated show.
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Steven:We are gathered here today to celebrate Ruby and Sapphire.
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